Demi Lovato Concert Schedule & Tickets at Time Warner Cable Arena on Sun, Feb 23 2014 in Charlottesville, Virginia For Sale

The sADuring production, the working title for the film was "Changes", which was later the name of an unrelated album by the Monkees. A rough cut of the film was previewed for audiences in Head begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the Monkees interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows what happened that led up to that. The four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way through a series of unrelated vignettes, each being a different type of film (mystery, war, Western, desert adventure, etc.). In each one, they try to deal with the fact that they are four real people in a real band that makes records for real people, but are also scripted characters in a fake made-for-television band doing nothing except exactly what the director wants them to.Los Angeles in the summer of xxxx under the name of "Movee Untitled".fter retiring, Head decided to take tennis leDaily Variety was also harsh, stating that "Head is an extension of the ridiculous nonsense served up on the Screen Gems vidseries that manufactured The Monkees and lasted two full seasons following the same format and, ostensibly, appealing to the same kind of audience." The review applauded Rafelson and Nicholson, however, saying that they "were wise not to attempt a firm storyline as The Monkees have established themselves in the art of the non-sequitur and outrageous action. Giving them material they can handle is good thinking; asking them to achieve something more might have been a disaster." [3]ssons and for this purpose he got himself a tennis ball machine, which was manufactured by Prince Manufacturing Inc. Although Howard was not very good at tennis, he figured out that the equipment for the game needed a lot of improvement or he was going to need a lot more practice. To begin with he became the majority shareholder and chairman of the board of Prince. While Head considerably improved the design of the ball machine, he still did not get any better at the game. He figured it out that it because of the small sweet-spot of the tennis racquet. In order to make the game of tennis easier, Head came up with the design of oversized racquet. He filed and obtained a patent that covered tennis racquets with size 95?135 square inches. He also pioneered the development of the graphite racquet, which eventually became industry standard, replacing woodHead begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the Monkees interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows what happened that led up to that. The four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way through a series of unrelated vignettes, each being a different type of film (mystery, war, Western, desert adventure, etc.). In each one, they try to deal with the fact that they are four real people in a real band that makes records for real people, but are also scripted characters in a fake made-for-television band doing nothing except exactly what the director wants them to.en racquets.plA head is the cephalic part of an animal, which usually comprises the brain, eyes, ears, nose and mouth, each of which aid in various sensory functions, such as sight, hearing, smell, and taste. Some very simple animals may not have a head, but many bilaterally symmetric forms do. Heads develop in animals by an evolutionary trend known as cephalization. In bilaterally symmetrical animals, nerve tissues concentrate at the anterior region, forming structures responsible for information processing. Through biological evolution, sense organs and feeding structures also concentrate into the anterior region; these collectively form the head.it tally was a technique which became common in medieval Europe, which was constantly short of money (coins) and predominantly illiterate, in order to record bilateral exchange and debts. A stick (squared hazelwood sticks were most common) was marked with a system of notches and then split lengthwise. This way the two halves both record the same notches and each party to the transaction received one half of the marked It is usually measured as a liquid surface elevation, expressed in units of length, at the entrance (or bottom) of a piezometer. In an aquifer, it can be calculated from the depth to water in a piezometric well (a specialized water well), and given information of the piezometer's elevation and screen depth. Hydraulic head can similarly be measured in a column of water using a standpipe piezometer by measuring the height of the water surface in the tube relative to a common datum. The hydraulic head can be used to determine a hydraulic gradient between tIn fluid dynamics, head is a concept that relates the energy in an incompressible fluid to the height of an equivalent static column of that fluid. From BernoulliEven though it is convention to use gauge pressure in the calculation of hydraulic head, it is more correct to use total pressure (gauge pressure + atmospheric pressure), since this is truly what drives groundwater flow. Often detailed observations of barometric pressure are not available at each well through time, so this is often disregarded (contributing to large errors at locations where hydraulic gradients are low or the angle The effects of changes in atmospheric pressure upon water levels observed in wells has been known for many years. The effect is a direct one, an increase in atmospheric pressure is an increase in load on the water in the aquifer, which increases the depth to water (lowers the water level elevation). Pascal first qualitatively observed these effects in the 17th century, and they were more rigorously described by the soil physicist Edgar Buckingham (working for the United States Department of Agriculture (USDA)) using air flow modIn any real moving fluid, energy is dissipated due to friction; turbulence dissipates even more energy for high Reynolds number flows. Head loss is divided into two main categories, "major losses" associated with energy loss per length of pipe, and "minor losses" associated with bends, fittings, valves, etc. The most common equation used to calculate major head losses is the Darcy?Weisbach equation. Older, more empirical approaches are the Hazen-Williams equationIn xxxx, Howard Head was an aircraft engineer for Glenn L. Martin Company in Baltimore, and went skiing for the first time. Head was frustrated with the quality of the clumsy and heavy wooden skis, which made skiing very difficult for beginners. He decided to develop a lighter and more efficient ski that could make skiing much easier for everyone. He left his job and devoted all his time and energy to developing the skis and supported himself witThe skis developed by Head were based on the structural principles that he had learned during his experience as an aircraft engineer. In a warehouse he rented from Albert Gunther Inc in an alley off of Biddle Street in downtown Baltimore, he used a technique known as metal sandwich construction. The first skis he made consisted of two light layers of aluminum bonded to sidewalls of thin plywood, with a center filling of honeycomb plastic. Although these skis were very light, they all broke quite quickly during trials. Head did not give up on his idea, and was encouraged by pro skier Neil Robinson, who assured Head that he would love to use his skis if they did not break. Throughout that winter Head would make a ski pair and send it out to Robinson, who returned it to Head after it broke. Head figured out the flaws of his design, came up with modifications, sent the new ski pair to Robinson, and the process repeated. By the end of the winter of xxxx, Head came up with skis that were as strong as wooden skis but were half tIn order to make his skis more efficient, Head made several other changes, like substituting plywood with honeycomb plastic, covering the bottom of the ski with special plastic to avoid the problem of icy bottoms and even introduced steel to harden the edges of the ski. The new improved skis were almost as heavy as the conventional ones, but were stronger and easier to control. Head skis helped to popularize alpine skiing in the U.S.; the innovative equipment made turning signiIn xxxx, Head founded the Head Ski Company, which became very successful. Within a couple of years it was the major supplier of alpine skis in the U.S. The company later diversified into tennis and other racquet sports; its most notable product was the innovative Arthur Ashe racquet, constructed of aluminum honeycomb. Howard Head sold the company to AMF in xxxx and retired. After a number of takeovers and acquisitions, HEAD, N.V. is currently based in Kennelbach, Austria (operational) and Amsterdam, Netherlands (corporate offices).ficantly easier.he weight.h earnings from poker. and the Prony equation.els in xxxx.between wells is acute.)'s Principle, the total energy at a given point in a fluid is the energy associated with the movement of the fluid, plus energy from pressure in the fluid, plus energy from the height of the fluid relative to an arbitrary datum. Head is expressed in units of height such as meters or feet.wo or more points.stick as proof. Later this technique was refined in various ways and became virtually tamper proof. One of the refinements was to make the two halves of the stick of different lengths. The longer part was called stock and was given to the party which had advanced money (or other items) to the receiver. The shorter portion of the stick was called foil and was given to the party which had received the funds or goods. Using this technique each of the parties had an identifiable record of the transaction. The natural irregularities in the surfaces of the tallies where they were split would mean that only the original two halves would fit back together perfectly, and so would verify that they were matching halves of theThe Monkees try to prove to themselves that they are free and can make any choice they want. But no matter what they try ? deliberately flubbing their lines, complaining to Nicholson and Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into theThe film was also delayed in its release (owing partly to the use of solarisation, a then-new technique both laborious and expensive), and badly under-promoted. The sole television commercial was a confusing, minimalist close-up shot of a man's head (John Brockman); after thirty seconds, the man smiled and the name HEAD appeared on his forehead.[3] This ad was a parody of Andy Warhol's xxxx film Blow Job, which only showed a close-up of a man's face for an extended period, supposedly reReceiving mixed critical reviews and virtually non-existent box office receipts, the film succeeded in alienating the band's teenaged fanbase, while failing to attract the more adult audience they had been striving for.[5] Head's abysmal reception instantly halted studio plans for any further films with the Monkees. It also corresponded with a steep drop in the group's popularity as recording artists; the Head soundtrack peaked at #45 on the American chart, the first time any Monkees album had not risen to the Top 5. "Porpoise Song (Theme from Head)" was the first single to not make the ToRenata Adler of The New York Times wrote a scathing review, commenting that Head "might be a film to see if you have been smoking grass, or if you like to scream at The Monkees, or if you are interested in what interests drifting heads and hysterical high-school girls." Adler added that the group "are most interesting for their lack of similarity to The Beatles. Going through ersatz Beatle songs, and jokes and motions, their complete lack of distinction of any kind...makes their performance modest and almost brave."[3]p 40 as well.ceiving 'head'. street, physically attacking other actors for no reason, and making everyone they encounter mad at them ? they discover that their every word and deed was predetermined to the finest detail by the script of the movie they are in and the directorIn one scene, the Monkees forget their worries at a party where girls are go-go dancing. But a mirror on the wall reveals the camera shooting directly into it, filming the scene while Rafelson sits next to the camera in the mirror. At one point, Peter actually discovers the answer to the free will contradiction in their reality. The group frequently find themselves inside a large black box from which they cannot escape. The box represents the constraints of being fictional characters unable to make any real choices. Peter announces that he will talk about the nature of conceptual reality, then informs the others that "it doHead has developed a cult following, although even fans tend to disagree whether the film is a landmark of surreal, innovative filmmaking or simply a fascinating mess. Today, it receives mainly positive reviews from fans and film critics alike. Leonard Maltin describes it as ?delightfully plotless? and ?well worth seeing,? giving the film 3 out of 4 stars, while Rotten Tomatoes gives the film a 75% rating.[7] Head premiered on television across-the-board as a CBS Late Movie on December 30, xxxx; the network rebroadcast the film on July 7, xxxx. Cable TV took hold in xxxx, when Head began periodical showings on Spotlight; Cinemax began airing the film in xxxx. In the UK, Channel 4 also aired on British TV in xxxx and xxxx. It was later shown regularly on Starz Cinema, and in xxxx, Turner Classic Movies featured the film as part of TCM Underground, showing the film unedited and in its original aspect ratio. It was released on video and Laserdisc by RCA/Columbia Pictures Home Video in September xxxx taking advantage of the group's 20th Anniversary, again on VHS and DVD by Rhino Entertainment in January xxxx, and a third time on Blu-ray and DVD in November and December xxxx, respectively, by The Criterion Collection, in a box set with other filmWhen asked by Rolling Stone magazine in March xxxx if he thought making Head was a mistake, Nesmith responded by saying that "by the time Head came out the Monkees were a pariah. There was no confusion about this. We were on the cosine of the line of approbation, from acceptance to rejection . . . and it was basically over. Head was a swan song. We wrote it with Jack and Bob . . .and we liked it. It was an authentic representation of a phenomenon we were a part of that was winding down. It was very far from suicide?even though it may have looked like that. There were some people in power, and not a few critics, who thought there was another decision that could have been made. But I believe the movie was an inevitability?there was no other movie to be made that would not have been ghastly under the cWhile the film's music disappointed fans of the band's more traditional pop sound, it features what some critics considered to be some of the best recorded work by The Monkees, including songs contributed by Carole King and Harry Nilsson. Jack Nicholson compiled the soundtrack album, which approximates the flow of the movie and includes large portions of the dialogue.[2] The film's incidental music was composed and conducted by Ken Thorne, who also composed and conducted the incidental music to the Beatles' second film, Help! The most famous song from the film, "Porpoise Song (Theme from Head)", appeared at the film's start and finish and left viewers feeling they were watching something dreamlike: even the editing of the bridge scene and the slow motion was almost meant to feel like a dream. Bright Color filters heighten the visual effect and dreamlike touch of the passages, which include mermaids rescuing member Micky Dolenz in the film's start: it was a psychedelic touch that recalled the visual and musical elements used for the Beatles television film Magical Mystery Tour and the animated feature film Yellow Submarine, also with the Beatles and directed by GeoThe music of The Monkees often featured rather dark subject matter beneath a superficially bright, uplifting sound. The music of the film takes the darkness and occasional satirical elements of the Monkees' earlier tunes and makes it far more overt, as in "Ditty Diego ? War Chant", or "Daddy's Song," which has Jones singing an upbeat, Broadway-style number about a boy abandoned by his father.rge Dunning.ircumstances."[8]s from Rafelson.esn't matter if we're in the box". He realizes that the difference between free will and pre-scripted actMicky, Davy and Mike do not pay attention to Peter's liberating revelation, which they characterize as navel-contemplating nonsense: Peter himself eventually forgets about it. While being chased by everyone they have encountered, they run onto a bridge, shoving people out of the way. It is then revealed that the group was desperately trying to escape being mere scripted puppets. The escape to the bridge is done to make the ultimate assertion of free will. The Monkees jump off the edge and commit sReceiving mixedMicky, Davy and Mike do not pay attention to Peter's liberating revelation, which they characterize as navel-contemplating nonsense: Peter himself eventually forgets about it. While being chased by everyone they have encountered, they run onto a bridge, shoving peopleThe Monkees try to prove to themselves that they are free and can make any choice they want. But no matter what thHead begins at the dedication of a bridge. As a local politician struggles with his microphone during the dedication speech, the Monkees interrupt the ceremony by running through the assembled officials, to the sound of various horns and sirens. The rest of the film shows what happened that led up to that. The four have just all kissed the same groupie, who tells them that they were indistinguishable. Throughout the film, they make their way through a series of unrelated vignettes, each being a different type of film (mystery, war, Western, desert adventure, etc.). In each one, they try to deal with the fact that they are four real people in a real band that makes records for real people, but are also scripted characters in a fake made-for-television band doing nothing except exactly what the director wants them to.ey try ? deliberately flubbing their lines, complaining to Nicholson and Rafelson who are on the set but not part of the film, smashing through the painted paper walls, walking off the set and into the street, physically attacking other actors for no reason, and making everyone they encounter mad at them ? they discover that their every word and deed was predetermined to the finest detail by the script of the movie they are in and the director directing it. out of the way. It is then revealed that the group was desperately trying to escape being mere scripted puppets. The escape to the bridge is done to make the ultimate assertion of free will. The Monkees jump off the edge and commit suicide. The final scene, however, reveals that this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, motionless under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in another movie.[2][3] critical reviews and virtually non-existent box office receipts, the film succeeded in alienating the band's teenaged fanbase, while failing to attract the more adult audience they had been striving for.[5] Head's abysmal reception instantly halted studio plans for any further films with the Monkees. It also corresponded with a steep drop in the group's popularity as recording artists; the Head soundtrack peaked at #45 on the American chart, the first time any Monkees album had not risen to the Top 5. "Porpoise Song (Theme from Head)" was the first single to not make the Top 40 The storylines and peak moments of the film came from a weekend visit to a resort in Ojai, California, where the Monkees, Rafelson and Nicholson brainstormed into a tape recorder,[5] reportedly with the aid of a quantity of marijuana. Jack Nicholson then took the tapes away and used them as the basis for his screenplay which (according to Rafelson) he structured while under the influence of LSD.[6] When the band learned that they would not be allowed to direct themselves or to receive screenwriting credit, Dolenz, Jones, and Nesmith staged a one-day walkout, leaving Tork the only Monkee on the set the first day.[2] The strike ended after the first day when, to mollify the Monkees, the studio agreed to a larger percentage share of the film's net for the group. But the incident damaged[2] the Monkees' relationship with Rafelson and Bert Schneider, and would effectively draw a curtain on their professional relationship together.[2]aRenata Adler of The New York Times wrote a scathing review, commenting that Head "might be a film to see if you have been smoking grass, or if you like to scream at The Monkees, or if you are interested in what interests drifting heads and hysterical high-school girls." Adler added that the group "are most interesting for their lack of similarity to The Beatles. Going through ersatz Beatle songs, and jokes and motions, their complete lack of distinction of any kind...makes their performance modest and almoDaily Variety was also harsh, stating that "Head is an extension of the ridiculous nonsense served up on the Screen Gems vidseries that manufactured The Monkees and lasted two full seasons following the same format and, ostensibly, appealing to the same kind of audience." The review applauded Rafelson and Nicholson, however, saying that they "were wise not to attempt a firm storyline as The Monkees have established themselves in the art of the non-sequitur and outrageous action. Giving them material they can handle is good thinking; asking them to achieve something more might have been a disaster." [3]st brave."[3]s well.uicide. The final scene, however, reveals that this, too, was scripted. The film's director hauls their soaked bodies away in a huge aquarium while the four stare blankly through the glass, motionless under the water. Laughing, he rolls the aquarium into a slot at the studio warehouse, to be taken out when he wants to use them again in anThe storylines and peak moments of the film came from a weekend visit to a resort in Ojai, California, where the Monkees, Rafelson and Nicholson brainstormed into a tape recorder,[5] reportedly with the aid of a quantity of marijuana. Jack Nicholson then took the tapes away and used them as the basis for his screenplay which (according to Rafelson) he structured while under the influence of LSD.[6] When the band learned that they would not be allowed to direct themselves or to receive screenwriting credit, Dolenz, Jones, and Nesmith staged a one-day walkout, leaving Tork the only Monkee on the set the first day.[2] The strike ended after the first day when, to mollify the Monkees, the studio agreed to a larger percentage share of the film's net for the group. But the incident damaged[2] the Monkees' relationship with Rafelson and Bert Schneider, and would effectively draw a curtain on their professional relationship together.[2]other movie.[2][3]ion is illusory. directing it. same transaction. If one party tried to unilaterally change the value of his half of the tally stick by adding more notches, those notches would not be on the other tally stick and would be revealed as an attempted forgery. The split tally was accepted as legal proof in medieval courts and the Napoleonic Code (xxxx) still makes reference to the tally stick in Article xxxx.[4] Along the Danube and in Switzerland the tally was still used in the 20th century in rural economies.
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